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Articles : Movie Retrospect : Retrospect - Jaitra Yatra (1991)  
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Jan 28

Retrospect - Jaitra Yatra (1991)
Sep 17, 2007 - 4:03:00 AM
By sri
Page: 1 2 3
   

Sravanthi Movies
Jaitrayatra (1991)

Technical:
Cinemascope
Color
Reels: 14
Release Date: November 13, 1991

Cast:
Nagarjuna ... Teja
Vijayshanthi... Aruna
Chandra Mohan...Bhairagi
Tanikella Bharani... SI Philips, Krishna Baghavan, Benerjee ...Sivudu,  Brahmaji
Nilgal Ravi
Kakarla Vijaykumar ... Krishnamurthy
Delhi Ganesh ... Seetaramudu (teja's father)
Satyaprakash ... collector Ravishankar
Vasanth... Police Constable
Shanti Lata ... Kaveri
Haritha
Manik Rao, jayabhaskar .. Ramakotayya

Dialogues: Tanikella Bharani
Lyrics: Seetarama Sastry, Vennelakanti, Adrushta Deepak
Playback: S.P. Balasubrahmanyam, S.P. Sailaja, Chitra
Art: Peketi Ranga
Editing: Srikar Prasad
Assistant Director: Sethupathy
Camera: Hari Anumolu
Music: S.P Balasubhramanyam
Producer: Ravi Kishore
Story, Screenplay and Direction: Uppalapati Narayana Rao (debut)

Songs:
Happy new year ... Zero zero hour-lO hello anTundi marO tomorrow
Playback: S.P. Balasubrahmanyam, S.P. Sailaja
Cast: Nagarjuna, Vijayashanti, others

okkaTai vacchaayi enDaa vaanaa
Playback: S.P. Balasubrahmanyam, Chitra
Cast: Nagarjuna, Vijayashanti

ennaaLLammaa ennelammaa, SOkaala ee cheekaTi
Playback: S.P. Balasubrahmanyam
Cast: Nagarjuna, others

neeDallE unna ninna
Playback: S.P. Balasubrahmanyam, Chitra
Cast: Nagarjuna, Vijayashanti

parugu teeyani paDuchu oohani
Playback: S.P. Balasubrahmanyam, S.P. Sailaja
Cast: Nagarjuna, Vijayashanti

Story:
Teja (Nagarjuna) is a son of Seetharamudu (Delhi Ganesh) from the settlement area, where police and politicians still rule the people. How Teja goes against them and wins the war against the legal bureaucrats forms the rest of the heart-touching tale.

Uppalapati Narayana Rao speaks...

I hail from Kakinada. My uncle is already in the filmdom as a producer of films like Swargam-Narakam (Dasari), Devudu Chesina Bommalu (Hanuman Prasad), etc. From the beginning, I was more interested in films and thus I went to him and said I want to try my hand in the field. He sent me to Ravikishore gaaru and I joined the Sravanthi banner and worked with director Vamsy for Maharshi and Sree Kanakamahalakshmi Recording Dance Troupe. I then worked for Varasudocchadu with Mohan Gandhi. Though Mohan Gandhi gaaru asked me to work for Kartavyam, one of his assistants pleaded that he'd be an associate director if I didn't join the team. I thus politely declined the offer but was on the sets most of the time while Kartavyam was made. So, they acknowledged me with a special thanks card when the credits rolled.

About break as a director:

It was Nagarjuna who made a director out of me. Actually, I was then not yet ready to direct a film by myself. I went on behalf of Sravanthi to narrate a story to him which was supposed to be directed by K. Raghavendra Rao gaaru. Nagarjuna liked the way I narrated the story and asked me to direct a film for the Annapurna banner. I said I was not ready to direct the film and that I needed more experience.

He said he will give me as much time as I might need and that I could use his guesthouse as my work place until then, adding that I'd be paid a monthly salary under the Annapurna banner until I am done with the story and script. Later, Ravikishore gaaru came and said that he'd produce the film. I should be thankful to both of them as they trusted with a rank newcomer and gave complete freedom to let me go with my thoughts.

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